Bezpe\u010dn\u00fd prostor je velmi d\u016fle\u017eit\u00fd pro zp\u00edv\u00e1n\u00ed, mnoz\u00ed z v\u00e1s maj\u00ed z\u00e1\u017eitky z hudebn\u00ed v\u00fdchovy, kdy je n\u011bkdo zkou\u0161el p\u0159ed tabul\u00ed ze zp\u011bvu a \u010dasto v\u00e1s to negativn\u011b ovlivnilo na dlouh\u00e1 l\u00e9ta. Samoz\u0159ejm\u011b koncerty a p\u011bveck\u00e9 zkou\u0161ky moc bezpe\u010dn\u00e9ho prostoru neposkytuj\u00ed, ale ve v\u00fduce zp\u011bvu pova\u017euji toto za naprosto z\u00e1sadn\u00ed. Stejn\u011b tak i ve skupin\u00e1ch, kter\u00e9 se n\u011bjak\u00e9mu p\u011bveck\u00e9mu v\u00fdvoji v\u011bnuj\u00ed.<\/p>\n\n\n\n
Hrtan je \u0159\u00edzen \u010d\u00e1st\u00ed mozku, kter\u00e9 se \u010dasto ozna\u010duje jako plaz\u00ed mozek a kter\u00fd n\u00e1m moc prostoru k v\u011bdom\u00e9mu ovl\u00e1d\u00e1n\u00ed neposkytuje. Ovl\u00e1dnout hrtan, aby se n\u00e1m nest\u00e1hl p\u0159i strachu a \u00fazkosti, je velmi t\u011b\u017ek\u00e9, co\u017e je pr\u00e1v\u011b d\u00e1no plaz\u00edm mozkem. Tak\u00e9 proto se zp\u011bv \u010dasto u\u010d\u00ed pomoc\u00ed pocit\u016f a p\u0159edstav. HLAS je vlastn\u011b pro v\u0161echny n\u011bco jako v\u00fdkladn\u00ed sk\u0159\u00ed\u0148 a nechceme zn\u00edt \u0161patn\u011b a nehezky, co\u017e je ale \u010dasto cesta k n\u011b\u010demu nov\u00e9mu, jak s hlasem m\u016f\u017eeme pracovat. V bezpe\u010dn\u00e9m prostoru si to nehezk\u00e9 m\u016f\u017eeme dovolit a t\u00edm rychleji r\u016fst. Vytvo\u0159it pocit bezpe\u010d\u00ed na hodin\u00e1ch je \u00fakol pro ob\u011b strany a \u010dasto se to neda\u0159\u00ed zcela. Tak\u00e9 mi chod\u00ed na hodiny studenti, kte\u0159\u00ed \u0159\u00edkaj\u00ed, jak jim to u m\u011b jde h\u016f\u0159, ne\u017e doma, co\u017e je uk\u00e1zkou toho, \u017ee se bezpe\u010dn\u00fd prostor je\u0161t\u011b \u00fapln\u011b neda\u0159\u00ed.<\/p>\n\n\n\n
V\u011aDA x ZP\u011aV\u00c1CI<\/strong><\/p>\n\n\n\n Ned\u00e1vno jsem byla na\u00a0online workshopu o\u00a0hlase, kde jeden skv\u011bl\u00fd v\u011bdec mluvil o\u00a0tom, \u017ee s\u00a0n\u00edm u\u010ditel\u00e9 zp\u011bvu necht\u011bj\u00ed mluvit a\u00a0nezaj\u00edmaj\u00ed se dostate\u010dn\u011b o\u00a0v\u011bdeck\u00e9 poznatky. Vz\u00e1p\u011bt\u00ed se jej n\u011bjak\u00e1 \u00fa\u010dastnice zeptala na\u00a0z\u00e1kladn\u00ed anatomick\u00fd term\u00edn a\u00a0on j\u00ed odpov\u011bd\u011bl, \u017ee TO M\u00c1 P\u0158ECI KA\u017dD\u00dd ZP\u011aV\u00c1K V\u011aD\u011aT! (\u010d\u00edm\u017e rozhodn\u011b nezap\u016fsobil tak, aby s\u00a0n\u00edm v\u00fdhledov\u011b cht\u011bla mluvit\u00a0). Vypad\u00e1 to, jakoby hlasov\u00ed v\u011bdci a\u00a0l\u00e9ka\u0159i \u0159e\u0161ili n\u011bco jin\u00e9ho, ne\u017e zp\u011bv\u00e1ci a\u00a0u\u010ditel\u00e9 zp\u011bvu. Jako kdyby v\u011bdci na\u00a0hlas koukali jako na\u00a0soubor sval\u016f a\u00a0chrupavek, zat\u00edmco zp\u011bv\u00e1ci pot\u0159ebuj\u00ed pracovat podstatn\u011b v\u00edc s\u00a0emocemi a\u00a0pokud jim anatomick\u00e9 znalosti nep\u0159in\u00e1\u0161\u00ed \u017e\u00e1dn\u00fd benefit, nel\u00e1k\u00e1 je p\u00e1tr\u00e1n\u00ed po\u00a0souvislostech. Ur\u010dit\u011b to nen\u00ed tak polarizovan\u00e9, ale propojen\u00ed je m\u00e1lo, co\u017e je \u0161koda na\u00a0obou stran\u00e1ch. M\u011b t\u0159eba anatomie a\u00a0v\u0161e, co se d\u011bje v\u00a0t\u011ble p\u0159i zp\u011bvu, d\u011bsn\u011b zaj\u00edm\u00e1. Tenhle p\u0159\u00edstup zase nese riziko, \u017ee se ze zp\u011bvu stane sportovn\u00ed hrtanov\u00fd v\u00fdkon a\u00a0hlasov\u00fd modeling bez emoc\u00ed.<\/p>\n\n\n\n ZP\u011aV\u00c1CI x ZP\u011aV\u00c1CI<\/strong><\/p>\n\n\n\n Kdy\u017e jsem studovala Je\u017ek\u00e1rnu, tak n\u011bjak se \u201ev\u011bd\u011blo\u201c kdo u\u010d\u00ed dob\u0159e, kdo zp\u00edv\u00e1 dob\u0159e, jak je to dob\u0159e a co dob\u0159e nen\u00ed\u2026 Te\u010f nemluv\u00edm o tom, \u017ee n\u011bkdo svoje studenty po\u0161kozoval, ale sp\u00ed\u0161 byla jasn\u011b estetika a cesty, kudy na to. Bylo to dost svazuj\u00edc\u00ed. N\u011bkdy v tu dobu za\u010dal fungovat Hlasohled<\/a> a pro m\u011b bylo nejzaj\u00edmav\u011bj\u0161\u00ed, kdy\u017e jsme v roce 2009 zp\u00edvali s Tzvetankou Varimezovou bulharsk\u00e9 p\u00edsn\u011b. U\u010dila n\u00e1s, jak vytvo\u0159it ten spr\u00e1vn\u00fd ostr\u00fd zvuk, za kter\u00fd by n\u00e1s nikdo na konzervato\u0159i nepochv\u00e1lil (CVT by to ozna\u010dila patrn\u011b za edge). Bylo to pro zp\u011bv bulharsk\u00fdch p\u00edsn\u00ed adekv\u00e1tn\u00ed a n\u011bkter\u00fdm se tak zp\u00edvalo dob\u0159e, n\u011bkter\u00fdm ne\u2026 Te\u010f u\u017e je snad na hudebn\u00edch \u0161kol\u00e1ch situace jin\u00e1, st\u00e1le se ale mezi u\u010diteli a \u0161kolami vedou spory co je spr\u00e1vn\u00e9 (t\u0159eba d\u00fdch\u00e1n\u00ed je \u00fapln\u00fdm minov\u00fdm polem) a u\u010ditel\u00e9 zp\u011bvu spolu rad\u011bji nemluv\u00ed. P\u0159izn\u00e1m, \u017ee i j\u00e1 z toho m\u00e1m strach \u2013 a hodl\u00e1m ho p\u0159ekon\u00e1vat :-D! Hlasohled<\/a> p\u0159in\u00e1\u0161\u00ed ka\u017ed\u00fd rok neuv\u011b\u0159itelnou paletu pohled\u016f na zp\u011bv a t\u00edm mi p\u0159ijde zcela v\u00fdjime\u010dn\u00fd. M\u016f\u017eete si jako jednohubky vyb\u00edrat to, co v\u00e1s oslovuje.<\/p>\n\n\n\n Tady v\u00e1m tak\u00e9 nab\u00edz\u00edm jednohubky pro inspiraci, ale v\u00edc z technick\u00e9ho \u00fahlu pohledu. Jsou to ale jen NAB\u00cdDKY K INSPIRACI. Nic, co bych vyd\u00e1vala za svatou pravdu. Byla by \u0161koda je ze strachu nepou\u0161t\u011bt ven, kdy\u017e to m\u016f\u017ee pomoci t\u0159eba jen jednomu \u010dlov\u011bku.<\/p>\n","protected":false},"excerpt":{"rendered":" Bezpe\u010dn\u00fd prostor je velmi d\u016fle\u017eit\u00fd pro zp\u00edv\u00e1n\u00ed, mnoz\u00ed z v\u00e1s maj\u00ed z\u00e1\u017eitky z hudebn\u00ed v\u00fdchovy, kdy je n\u011bkdo zkou\u0161el p\u0159ed tabul\u00ed ze zp\u011bvu a \u010dasto v\u00e1s to negativn\u011b ovlivnilo na dlouh\u00e1 l\u00e9ta. Samoz\u0159ejm\u011b koncerty a p\u011bveck\u00e9 zkou\u0161ky moc bezpe\u010dn\u00e9ho prostoru neposkytuj\u00ed, ale ve v\u00fduce zp\u011bvu pova\u017euji toto za naprosto z\u00e1sadn\u00ed. Stejn\u011b tak i ve skupin\u00e1ch, kter\u00e9 se n\u011bjak\u00e9mu p\u011bveck\u00e9mu v\u00fdvoji v\u011bnuj\u00ed. Hrtan […]<\/p>\n","protected":false},"author":1,"featured_media":78,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-77","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nezarazene"],"_links":{"self":[{"href":"https:\/\/www.thea.cz\/zpivam\/wp-json\/wp\/v2\/posts\/77","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thea.cz\/zpivam\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thea.cz\/zpivam\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thea.cz\/zpivam\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thea.cz\/zpivam\/wp-json\/wp\/v2\/comments?post=77"}],"version-history":[{"count":1,"href":"https:\/\/www.thea.cz\/zpivam\/wp-json\/wp\/v2\/posts\/77\/revisions"}],"predecessor-version":[{"id":79,"href":"https:\/\/www.thea.cz\/zpivam\/wp-json\/wp\/v2\/posts\/77\/revisions\/79"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thea.cz\/zpivam\/wp-json\/wp\/v2\/media\/78"}],"wp:attachment":[{"href":"https:\/\/www.thea.cz\/zpivam\/wp-json\/wp\/v2\/media?parent=77"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thea.cz\/zpivam\/wp-json\/wp\/v2\/categories?post=77"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thea.cz\/zpivam\/wp-json\/wp\/v2\/tags?post=77"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}